002 – My New Single, “Waves”Did you hear? I just put out a new single on March 31, 2017. True story. In this podcast episode, I get into a little bit about this new tune. And then I just do my usual antics (sorry). Have fun guys, and check it out.

Media Highlights:

00:00 – Waves… 00:07 – I’m DavidAndrewWiebe.com 00:16 – Why it’s called “Waves” and how it came about 01:44 – Production process 02:37 – Where you can buy or stream “Waves” 03:43 – Conclusion


Waves by David Andrew WiebeWaves. Smooth. Ocean. I’m DavidAndrewWiebe.com, and you’re hearing my new single for 2017 called “Waves.” Okay, so why is it called “Waves” and how did it come about? See, the thing is, I like synthwave. You might know that I recorded a song called “City Lights.” Yeah, “City Lights.” It’s kind of a cool tune, I think. And, it’s basically inspired by synthwave, retrowave, that kind of stuff. I don’t know if you’ve heard it. It’s basically like 80s soundtrack music except it’s been created for modern day. So, it’s new music, and yet it’s old at the same time. And I was watching the Amy Winehouse documentary called Amy. It’s pretty interesting stuff. And then I thought to myself – and this was a pretty crazy thought to be fair – “is there a way to combine jazz and synthwave?” And so, that’s really how this track got started. And what’s interesting about it is, it kind of starts with the jazz progression, but then the bass comes in and says, “Hey, what the heck do you think you’re doing? We’re going to play some music here.” And then the jazz progression sort of transitions into more of an island vibe. And some people have said it sounds a little bit like Sonic 2 or video game music or whatever. So, that’s kind of how it turned out. So, sometimes you never know what’s going to happen when you combine two things. But it might end up sounding like something that’s out there. So, I like this song a lot. And, there’s a little bit of guitar in there, but for the most part, it is synth that I composed. I always compose first in Power Tab, because I’m super weird, and my name is DavidAndrewWiebe.com. So, that’s just how we do things around here. So, most of the song was composed in there, and then I imported the media into Tracktion, and then once it was in Tracktion, I just attached certain VST plugins to it, and then it started sounding pretty cool. Now, are all the sounds the highest quality? No, not necessarily, and if I had better quality plugins, maybe I would choose some other ones, but I don’t, and that’s how we do things at DavidAndrewWiebe.com. Waves. Yeah, this is brand new music. Are you enjoying it? I hope so. And like I said, it’s got a bit of a video game groove. So, if you’re listening to this, and you enjoy it, you can get it practically everywhere. I distributed this single through a service called DistroKid, which is pretty cool. DistroKid, yeah, right on. So, go anywhere you usually go to stream music. But if you care about me, stream it on Microsoft Groove Music. And, if you care even more about me, then buy it on iTunes, and then I make more money. Yeah, I said iTunes. I know it’s a weird way of pronouncing it. That’s okay, because that’s how we do things here at DavidAndrewWiebe.com. If you really don’t care about me that much, then you can go ahead and stream it on Spotify because I’m never going to get paid anything from those guys. It’s crazy. It’s ridiculous. No, I shouldn’t say that. I will one day make thousands of dollars from Spotify, but I would prefer to make it elsewhere because they pay me more, and that’s better. So, buy it if you care, or stream it if you care less. I don’t care. Do you care? Naw. This is how we do things. DavidAndrewWiebe.com. Waves https://www.prosco.com.

Final Mission
Are you ready for a challenge?

Final Mission (a.k.a. S.C.A.T. Special Cybernetic Attack Team) is a side-scrolling shooter developed by Natsume and was released in 1990 in Japan (1991 in the United States).

It’s a hard game. Seriously. My understanding is that there are subtle differences between the Japanese and American version, namely the Japanese version is a lot harder, and guess what I played? The Japanese version.

This shooter closely resembles Contra in many respects. The heroes look similar, the weapon upgrades are similar, even the sound effects are similar. The main difference is that the heroes use jetpacks to float around the level, and have orbital cannons. These cannons circle around the heroes as they move around, but they can also be locked in place in order to target enemies in harder-to-reach areas (i.e. top or bottom of the screen).

The hero only has three bars of health to begin with – although you gain another bar of health every 10,000 points – once you’ve been hit three times the game is over. I would suspect that the average player wouldn’t be able to beat the first level on their first six tries, so that’s some indication of how difficult it is. Stage 4 and 5 are particularly difficult, with laser beam cannons, indestructible ships that take up 3/8 of the screen, and enemies that scatter multiple bullets across the screen.

On the up side, there are only 5 stages and 5 bosses in the entire game (although there are some mid-level encounters as well). This makes it a relatively short game. On the one hand, such a difficult game shouldn’t go on any longer than that, but on the other hand, it’s just lazy. I mean, why not have 12 stages that gradually increase in difficulty rather than 5 stages that weed out all but the serious gamers. I kind of saw it as a personal challenge, so I went ahead and beat the stupid game (though not without the help of an emulator).


Okay, I do have to admit this is a pretty fun game. It’s a bit of a button masher, because one button is used to fire and the other to lock your orbital cannons, so really you’re only using one button 95% of the time. The overall difficulty is a bit ridiculous, and I still think it would have been better with more stages.


Not very good. Again, slight differences here in the American release vs. the Japanese release, but the original game’s graphics aren’t good even by NES standards. Backgrounds are primitive, and the heroes and enemies look even worse. The gameplay certainly matters more to me than the graphics, but it does seem a little lazy, like other aspects of the game.

Sound & Music

All the sound effects could very well be direct rip-offs of Contra and I would be none the wiser. However, I liked the Contra sound effects so that’s not saying much. The music was anything but memorable. It was kind of just there. The only thing that could redeem a game like this is really intense music, but again there was nothing overly memorable there.

Overall 5/10

Okay, so it probably sounds like I didn’t really like this game. Don’t get me wrong, it’s a fun shooter if you have a lot of patience and time to kill. It has its moments, but there are definitely better games out there. The reason I couldn’t give it less than a 5 is because it’s actually a fully developed (well, sort of), functional game. I don’t think I would play it again now that I’ve finished it, but maybe I would try the 2 player co-op mode. Check it out for yourself!

This video demonstrates some of the differences between the Japanese version and North American version:

Saiyuuki World 2: Tenjoukai No Majin (Whomp 'Em)
I much prefer the Japanese cover art to the North American… As is usually the case.

Saiyuuki World 2 Tenjoukai No Majin (aka Whomp ‘Em) is basically a game in the style of Mega Man. It was developed and published by Jaleco on December 7, 1990 in Japan and March 1991 in North America.

There are 6 main stages in Majin, each containing a boss from whom you gain abilities when you beat them. Of course, certain abilities are more effective against certain bosses, but some abilities aren’t made for attacking at all. The main difference from Mega Man is that Goku (the character you control, not to be confused with the protagonist from Dragon Ball) doesn’t have a projectile weapon. Instead, he has a Nyoibo (aka power pole).

The game is comprised of 8 levels in total and 7 bosses. The first stage is merely an introduction, and the final stage – as you would expect – leads to the last boss. It almost feels as though they went deliberately out of their way to make this game difficult because in-game content is sparse.

I remember playing this game as a kid, and even though I was able to reach the final stage, I was never able to finish it. One of the reasons for this is that frankly it’s a very difficult game. The stages are relatively short, but the bosses get more difficult as you go. It appears that the bosses gain more health as you gain more health, and they can steal your Kintans (basically the equivalent of an energy tank) as well. You can only hold up to 3 Kintans at any given time, so you have to keep an eye on your health.

You start with 4 health bars (hearts) in-game, and you can gain up to 12 by collecting gourds (now there’s a word I never thought I would use). Collecting gourds (aka Hyoutan) can prove very time-consuming, but you’ll want to get at least 10 hearts by the end of the game (if you intend to finish it). It takes 99 gourds to get your final heart, but I never made it that far.

Even if you make it to the final stage, you’re probably all out of Kintans (which doesn’t bid well for you), and to add insult to injury, you can drop back to the base level from the second level of the stage. Fortunately, you can keep killing enemies in the stage and wait for them to drop Kintans. To beat this stage, you have to take advantage of all the abilities you’ve gained, including the Kintoun (flying cloud you can ride on aka Flying Nimbus).

After you beat the initial 6 bosses, you gain an additional ability which is basically a dragon shot. This is the only weapon that seems to be effective against the final boss (a disgruntled Buddha?). The only catch is that this ability eats away at your health, so you have to be careful. The disgruntled Buddha starts by summoning a few minions before he starts attacking you. As long as you have 3 Kintans, close to full health (at least 10 hearts), and take advantage of your dragon shot, you should be able to beat him.


The controls are simple and well thought out. Goku is able to pull off a surprising variety of moves, but it doesn’t take a rocket scientist to figure it out.


Fairly average for a Famicom game. The backgrounds certainly aren’t as well-developed as the Mega Man games (3 and onwards).

Sound & Music

The music is quirky, creepy, and fairly repetitive. A lot of it has Oriental undertones to it, which seems to work for the game. The music has a way of sticking in your brain after you’ve spent a lot of time collecting gourds in a particular level, but that isn’t necessarily a good thing.

Overall 6.5/10

All in all it was a pretty fun game. It’s definitely not up there with Mega Man or Super Mario Bros. in my mind, but it still provided some entertainment. If you’re up for a challenge, then you might want to try it out.

Here’s a little gameplay footage: