Weekly Digest: April 30, 2022

Weekly Digest: April 30, 2022

Here’s a fresh dose of inspiration to help you fulfill on your creative vision.

New Video

Subscribe to the Music Entrepreneur HQ YouTube channel

New Podcast Episode

270 – How We’ve Collected Over 5,000 Emails

Subscribe to The New Music Industry Podcast

New Medium Stories

Follow me on Medium

Live a Happy, Creatively Fulfilled Life Full of Inspiration

Thanks for your creativity and generosity. I’m rooting for you.

You can see what else I’m up to here.

The New Music Industry Podcast Ep 270 – How We’ve Collected Over 5,000 Emails

The New Music Industry Podcast Ep 270 – How We’ve Collected Over 5,000 Emails

There are many approaches to growing your email list.

We’ve tried a lot of different things through the years, and honestly most have not worked.

But once our content marketing efforts started paying off, we started ranking in search, and we signed up for Leadpages, everything started to change.

Wondering how it all works and how you might be able to implement what we learned in your music career or business?

Then tune in to this episode of The New Music Industry Podcast:

Thanks for Listening!

Our podcast is largely listener supported. Here are some quick ways you can help us grow:

And if you would like to get access to all our podcast transcripts, cheat sheets, and additional resources, you can sign up for the PDF Vault for free.

Thanks again for dropping by. đź‘‹

Secrets to Building Your Email List as an Artist

Secrets to Building Your Email List as an Artist

The widely held belief among marketers is that every email subscriber is worth $1 per month.

That means if you have 3,000 email subscribers, you should be able to make $3,000 per month.

The math is a little off, though, because virtually no one gets a 100% open rate on their email campaigns. 20% is considered good, and anything above that is stellar. And this also depends on industry averages. I know from having worked in music for a long time that a 20% open rate would be high when sending campaigns to musicians.

So, that means each email is worth considerably more than $1 per month, if you do things right.

20% of 3,000 is 600. $3,000 divided by 600 people is $5. Meaning an engaged email subscriber is worth closer to $5 per month.

You don’t need a huge email list to earn a sizable income.

You don’t need a huge email list to earn a sizable income. Click To Tweet

Now, when you hear stats like these, it’s easy to think you’re doing everything wrong if you’re not making $1 per month per email.

But I have personally encountered this as well. If all you do is attract a bunch of freeloaders, you can’t expect them to buy much of anything from you let alone support your work.

You shouldn’t feel discouraged if things don’t seem to be lining up for you the way they’re supposed to, though. You’re not some kind of weird exception if you’re not making $1 per month per email.

You’re not some kind of weird exception if you’re not making $1 per month per email. Click To Tweet

But if things aren’t working, it would be wise to go back to the drawing board and rethink your strategy.

As my mentors in network marketing taught me:

What you win them with is what you win them to.

If all you’re doing is giving away things for free in exchange for email addresses, it’s entirely possible that you’re just attracting an audience who will take the free stuff and bolt.

The other possibility is that your lead magnet is too far removed from your core brand. Everyone wants to win a free iPad, but if it’s a mismatch with your messaging, you can bet that most of those people are going to unsubscribe once the contest is over. Which is why a small (but engaged) email list is never a problem.

People make a big deal of lead magnets these days, but the truth is, at Music Entrepreneur HQ, they haven’t worked that well for us in the last couple of years. We’ve had more success with tripwires (irresistible, low-ticket offers) versus lead magnets, so we’ve started prioritizing those instead.

So, don’t just do things because people tell you to. Test them out for yourself and see what works. The conventional method may not emerge a champion at the end of the match.

Quick reminder – you can now pre-order the Kindle edition of The Music Entrepreneur Code – 2022 Edition (just in time for the holidays). Don’t get left behind – be the first to get my latest work into your hands!

Why You Must Build Your Own Platform as a Musician

Why You Must Build Your Own Platform as a Musician

I know, I know.

Social media is just so much fun. And it’s so easy to get people’s attention, right?

All you’ve got to do is post a picture of your butt in a thong, your enormous bicep, or your impressive guitar collection, and you get dozens, hundreds, sometimes thousands of engagements on your post.

Look, if this is your hobby, and you’re just testing the waters to see which ripple people are drawn to today, more power to you. But if somewhere in the back of your mind you think a dump truck is going to come rolling into your driveway to deliver the mad stacks you’ve earned on the back of your social media performance, you’ve made a grave mistake…

I’ve said it before, and I’ll say it again.

Sometimes, the people who seem to be killing it are secretly broke.

And sometimes, the people who seem to be struggling are secretly killing it.

And nowhere does that apply more than in the online world. You would do well to remember that (especially before playing the comparison game).

Engagement does not lead to income. And I understand that more views on your YouTube video or Medium article might mean more pennies, but it’s kind of moot unless you can get people to stick around over the long-haul. And nurturing your audience is probably the hardest part unless you know what you’re doing.

Trust me when I say I did a lot of things that were supposed to help me build engagement with my audience long-term, and that didn’t make Music Entrepreneur HQ any less of a rollercoaster ride. The “hockey-stick” up and to the right growth chart is a myth so far as I’m concerned…

But what we’re really talking about here is protecting your assets.

My business coach, James Schramko, calls it owning the racecourse.

The idea is this. If all you own is the racehorse (social media profile), but not the racecourse (the social media platform), you can be taken out of the race at any time! And if you’ve got any kind of business savvy, you see why that’s a position of compromise, not of power.

More than ever, social media sites are eager to shut people down for saying the wrong thing, and I could give a damn what your opinion on that is, but last I checked it was a free world, and censorship violates the terms of what it means to be a social media site. If you’re going to pick and choose the narrative you want to push, you’re a publisher, not a public space for discourse.

If you’re going to pick and choose the narrative you want to push, you’re a publisher, not a public space for discourse. Click To Tweet

All that to say, you need to build assets you can hold onto. That means two things as an artist, you need a website and an email list.

You need to build assets you can hold onto. Click To Tweet

I don’t know what clown makeup goof-off you’ve been learning from, or what their methodology is. If it doesn’t include building your own assets, you’re learning from a shill or charlatan whose knowledge of internet marketing is busted at the foundation. And as we’ve already looked at, foundations are expensive to repair.

If you’re smart about it, you will never need to lose your entire audience the next time the modern-day MySpace or Vine equivalent shuts down.

So, your music career plan needs to include your website and your email list. Prioritize it.

Weekly Digest: November 13, 2021

Weekly Digest: November 13, 2021

David Andrew Wiebe, October 2021It’s almost the end of another quarter.

And some of you are already going, “hold on a second, no it’s not!”

Well, you see, it’s the end of the second quarter in the yearlong intensive leadership program I’ve taken on. That means I’m just about halfway done.

Although there isn’t much time left, my team and I are looking to finish this quarter strong. And that means raising $1,500 for Sahakarini by November 19. So far, we’ve raised $718.97.

If you’d like to know what this is all about, and why I’ve taken it on, then I would encourage you to watch this quick video.

A donation of any amount will help us improve the education system, leave a legacy, and cause healing for my family.

Thank you for your generous contribution and my warmest wishes to all who’ve already contributed!

New Value-Packed Blog Posts & Podcast Episodes

Mission critical updates and resources to help you grow superfast. It’s time to get your read on!

Must-Have Resource

The short film, The Nobody Prayer, has been awarded Best Original Score by:

  • Hollywood on the Tiber Film Awards
  • Vesuvius International Film Festival
  • New Jersey Film Awards

I had a lot of fun putting together the score of this short, and from the feedback I’ve been getting, you’ve been having a lot of fun listening to it too! I’ve seen my streams skyrocket, and now I know that many of you like to listen on Apple Music.

The original soundtrack was released at the end of October on all major music streaming sites and online stores. I want to invite you to listen to it anywhere you listen to music.

The Nobody Prayer (Original Soundtrack)

Final Thoughts

Thank you for your creativity and generosity. I’m rooting for you.